Tuesday, November 4, 2008

From the things that never got published file: Chicago Riots

Back in the summer we had an idea to do a pamphlet for people that were visiting from out of town. It'd have the standard touristy stuff, standard punk rock stuff and a little bit extra. Together, Kevin and I concocted humorous histories of the largest riots to ever take place in Chicago. With the hustle, bustle and chaos that is my life in this company, the pamphlet idea fell by the wayside. But luckily enough for you, I have my contributions saved and READY TO PUBLISH.


Steve Dahl’s Disco Demolition Nightmare
Disco Sucks, Fuck Everything
By: Bill Molloy


No matter what shitty music is bugging you today, it’s probably not as ubiquitous as disco was back in the late 70s. Discerning rockers were bombarded from all sides by slick drumbeats, flared pantsuits and high pitched wails. The line in the sand needed to be drawn, and rock DJ Steve Dahl took care of it.

On July 12, 1979, Dahl, the management at WLUP 97.9 FM, and the Chicago White Sox teamed up for one of the most infamous promotional stunts in history. Anyone bringing a disco record to the game was able to get in for a mere 98¢. More than 50,000 people got into the stadium and thousands more were locked outside; the stage was set for total mayhem.

In between games of a doubleheader with the Detroit Tigers, Dahl, dressed in military regalia as the leader of the anti-disco revolution, collected as many records as he could, placed them in a crate in center field, and blew the shit out of it. The crowd roared, and the promotion seemed to have worked, but obviously we wouldn’t still be talking about it more than 25 years on if the shit didn’t hit the fan.

The crate that Dahl blew up unfortunately wasn’t big enough to hold all the records that his minions brought to the game, so they were left hanging onto the music of the enemy. Despite their drunken haze, some of the fans realized that the LPs and 45s worked much in the same way as a Frisbee; they started to hurl the records at each other as well as onto the field. When those ran out, they moved on to throwing beer and even fireworks.

Pretty soon the night moved into its final phase when thousands of fans stormed the field; the scene slightly resembled a jock version of Woodstock with thousands of people milling about, bonfires raging, the dugouts being looted, and copious amounts of weed smoke filling the air. Pretty soon the CPD showed up on horseback to disperse the ever growing crowd. The second game of the doubleheader had to be forfeited to the Tigers but no major injuries were reported.


Days of Rage
The Weatherman Bust Out. Literally.
By: Bill Molloy


One offshoot of the Students for a Democratic Society decided to take elevate anti-war protesting to a brand new level. For the first time these demonstrators turned outwardly violent, and appropriately enough, it happened in Chicago, where only one year earlier Mayor Richard J. Daley’s massive police riot at the Democratic National Convention garnered national attention.

Set up to coincide with the trial of the Chicago 8 (read up about it on Wikipedia when you get back home), The Days of Rage officially started with the bombing of a statue of a police officer erected in Haymarket Square. With shards of the statue falling onto the nearby Kennedy Expressway, they moved onto their next target; the Gold Coast

The Gold Coast has long been a bastion of commerce and upper class housing in the city. Naturally The Weathermen chose this neighborhood as their first target. On October 8, 1969 more than 200 protesters took to the streets wielding billy clubs and baseball bats. The activists indiscriminately began smashing up cars, storefronts, and bank windows for several blocks before more than 1,000 riot cops approached the scene, clubs and tear gas at the ready. Even though the Weathermen anticipated the conflict and wore protective gear, the cops aimed for their necks and ankles, taking down the protesters one by one. This protest left 28 cops injured, six protesters shot, 68 arrested and an unknown amount injured.

The next day and a half the remaining Weathermen fell silent and let other groups peacefully protest the Chicago 8’s trial outside the courthouse. On October 10th a group of 300 Weathermen reassembled in The Loop to restart their cause. With a large battalion of policemen watching, they spontaneously began smashing up cars and business storefronts again. This one wouldn’t last very long, as more than half the protesters were arrested within 15 minutes.

All told the damages ended up costing the state of Illinois over $183,000. Following the Days of Rage, the Weathermen Organization continued to stage increasingly more violent protests before dissolving in the early 1970s.


Bombs Away!
The Haymarket Affair
By: Bill Molloy


I’m guessing that it’s a pretty safe assumption to say that most people would prefer an eight hour work day in decent conditions to say, a thirteen hour shift in a blazing hot factory; any objections? Yeah, I didn’t think there would be on that one. Ever wonder how an eight hour day became the norm in this country? You’ll have to bone up on your history books if you want the full story, but the Haymarket Affair of 1886 played an important role in it.

Labor unrest in Chicago was nothing new, but the Spring of 1886 held a new promise in the air that had been absent before. Emboldened by an unprecedented sense of unity, numerous labor unions set May 1, 1886 as a deadline date; if the eight hour work day wasn’t instituted by then, to quote Joey Shithead and D.O.A., it was high time to stand up, to stand and unite; it was time for a general strike. 40,000 workers walked out of their factories that day and more than 80,000 marched down Michigan Avenue. An estimated 500,000 workers across the nation joined the picket line.

The next couple days led to more demonstrations and the inevitable clash with the police. May 3rd’s rally outside of the McCormick Harvesting Machine plant turned violent when a few dozen scabs tried to exit work; the skirmish ended with six workers dead and thousands outraged. Workers all around the city awoke on the 4th to news of the confrontation and a leaflet urging “Workingmen arm yourselves and appear in full force!” Obviously something interesting was about to happen.

For the first several hours the rally at Haymarket Square was peaceful and effective. Numerous speakers passionately delivered speeches to the growing crowd, which included then Mayor Carter Harrison, who soon left the rally because he deemed it non-threatening, which it was at the time. Around 10:30 the police broke up the rally before the final speaker finished up. An unknown person chucked a bomb at the police line, instantly killing one officer. Soon the square erupted in a hail of gun fire and random violence that left several more dead and countless injured.

Within several days eight men with connections to anarchist and labor groups were rounded up and put on trial for the bomb. No physical evidence connected these men to the bomb throwing yet they were all convicted and seven were sentenced to death; four met their fate at the gallows, one committed suicide, two had their sentence commuted to life in prison. In later years all the defendants were officially pardoned and the police chief who ordered the dispersal was convicted of corruption. To this day no one knows who threw the initial bomb.

The event temporarily demoralized the labor movement but later became a source of pride, with May 1st becoming synonymous with labor unions and political protest. So next time you clock out at five, take a second to think about the cheerful, mustached anarchists who helped make that possible.

Thursday, October 23, 2008

Chronic Seizure - Live WHPK 7"


Chronic Seizure - Live WHPK 7"
Fashionable Idiots Records
October 2008
By: Bill Molloy


Anyone who knows me knows that I'm basically a Chronic Seizure fanboy. Ever since seeing them in a sweaty-as-fucking-get-out classroom at DePaul in the Summer of 2005 and getting their first demo tape they've pretty much been my favorite Chicago hardcore group. Astoundingly enough they've only managed to keep getting better, rising to the top ranks of national hardcore, as witnessed by probably my favorite LP of the year, Ancient Wound. To steal from my own review, Chronic Seizure write actual SONGS instead of simply slapping four chords on top of a fast 4/4 drum beat.

That said, I don't count this in the steady upward trajectory. If you couldn't glean it from the title, this 9 song 7" is a recording from a summer 2008 set at the University of Chicago's radio station WHPK. The record includes eight songs from the aforementioned Ancient Wound as well as "Violent Opposition" all the way back from the Brainsick 7". The performances are pretty representative what you'll get from a CS live set; awesome. The sound on the 7" sounds like it was taken from a cassette dub from the broadcast rather than the actual master recording in the booth. Whether that was intentional or not I can't vouch for but it does give you the feeling that you're listening to the original broadcast.

For hardcore fans Live WHPK is a cool addition to the collection but for the casual ones it's not really necessary. HOWEVER, for those nerds out there like myself, the first 100 copies come in the above pictured acetate sleeve, and there will only be 500 pressed all told. If you're a super fan snap it up; if you want to get know the band (what took you so long) pick up the LP and the two other 7"s. RIYL: the 80's hardcore revival (which I'm actually beginning to get a little sick of, amazingly enough)
7/10.
Chronic Seizure Myspace

Pisschrist - Victims of Faith LP


Pisschrist - Victims of Faith
Yellow Dog/Havoc Records
October 2008
By: Bill Molloy

In reality it's been a year and a half, but it seems like only yesterday that Australia's Pisschrist came to the USA and thoroughly destroyed my brain and forehead (care of several knees to the face from vocalist Yeap). When a band is good enough to steal a show from the mighty Wolfbrigade, they're onto something. After the show I bought up everything I could from them: t-shirts, CDs, stickers, whatever. I had a new favorite d-beat/crust band.

Now it's late 2008 and they're back with their second full length (not counting the singles collection) entitled Victims of Faith. It's a definite journalistic cop out to use the phrase "they're not reinventing the wheel," but this is more of the same super blown out crust that you'd expect from Pisschrist. The difference between Pisschrist and just about every other band doing this style is that they're simply better. Beneath the pounding drums, ultra-distorted guitars and the grizzly bear vocals lie actual melodies. I said it, real melodies. You'll be pumping your fist while the actual record is on and drumming on your knees when you're at work. Take one listen to the re-recorded "Run For Your Life" and you'll know what I mean.

Taking a cue from any number of generic Youth Crew (ugh) bands, Yeap has decided to include explanations of several songs. Most revolve around the typical themes of atheism (this is Pisschrist after all), nihilism/anarchy and the horrors of war, but with some variation including a how-to-guide on how to get out of perfunctory military service and rants on immigration. Yeap I believe emigrated from Malaysia into Australia so it's obviously an important cause to him. The opening song "Punk is Love" for example is an ode to what makes punk rock great, in a few simplistic lines.

"DIY Punx Under One Flag
Music and Idea
Empowers Our Life
Good Friends Playing HC
Around The World
Punk Is Love
This Is Our Life
Different But It's Right
International HC
Without No Pose
Punk Is Love"

The US distribution of Victims of Faith is through Havoc, so head over to their website to order it. My only minor complaint is that my copy is a little beat up but shit happens when a record comes from Australia into MPLS then into Chicago. If you're into d-beat, crust or even good old fashioned punk rock there are literally millions of worse bands to listen to than Pisschrist. This is definite top 15 of the Year material. RIYL: Framtid, Discharge, Mob 47, bands that begin with "Dis-"
9/10.
Pisschrist Myspace

Monday, October 20, 2008

Valient Himself (Valient Thorr) Interview (September 2008)


(Photo cropped and re-sized from RyanRussell.net)
E-mail interview that gave way to wacky, sleep deprived feature article.

Bill: How is your health after the kidney surgery?

Valient Himself: I feel as though I am fully recovered now. My strength is back, my energy is back, & I'm trying to take care of myself health-wise now. My father is doing very well too. We just had dinner together about a month ago in Charlotte. It was so great to see him out of the house.

Bill: Immortalizer seemed to take longer to get out to the public than previous releases; is there a reason? What was it like working with Jack Endino on the record?

Valient Himself: hmmm. I don't know, I don't think it took longer did it? Well, we wanted to take our time on all of our forthcoming releases to make sure we have excellently crafted the best product possible to give to the people, but, I feel as though things always get crazy & feel rushed. Jack was amazing to work with. He's having sort of a renewed interest with tons of bands coming to him these days for work. We'll definitely be working with him again in the future.

Bill: Immediately, the Immortalizer artwork struck me as unique; I can’t recall ever seeing anything like it. Who came up with the concept for the Immortalizer artwork and -who is the artist behind it?

Valient Himself: I actually did the artwork and came up with it myself. It shows Morpheus, the time master (son of father time) trying to grab a hold of the tiger owl (which represents our band ((something knowledged, but something that's also buck wild))).

Bill: Are there any plans to re-press Stranded On Earth or either of the two early demos?

Valient Himself: No plans as of yet. I always think there's the possibility of releasing Stranded on Earth someday again. Maybe it'll have demos and old weird early live footage of us, but that’ll be for sometime down the road.

Bill: What is the status of the groups DVD? What will be featured on it?

Valient Himself: In Heat comes out on November 4th. It’s a feature length flick on us traveling over the last 5 years throughout the US & Europe. It’s pretty funny, I can t wait for everyone to see it.

Bill: Did the Thorriors grow out of actions taken by the band or is it a purely fan driven phenomenon? Has there been a national gathering of the Thorriors yet, and if not, is it a possibility?

Valient Himself: It was mentioned by us, & then totally swooped up into a whirlwind of crazed party dudes & ladies who like to eat good food & listen to good music. We are planning an event called the Thorrendezvous for 2009. More details about that are forthcoming.

Bill: How did the upcoming tour with Motorhead come about, and do you have any thoughts or expectations of it?

Valient Himself: We toured with Motorhead in Germany in December, and in the UK & Switzerland during the summer, so we became friends. I think its going to be one of if not the best tour we've ever been on.

Bill: Will you ever attempt to topple your own record of 272 shows in 2006? Can it be done?

Valient Himself: Maybe... Not this year, and probably not next year. We are going to be doing a world tour next year. Playing places we've never played; hopefully Japan, Australia, & more European spots.

Bill: What governing body sanctions the Rock and Roll Championship of the World, and what will it take to defend your crown in the coming years?

Valient Himself: Well, it’s a conglomeration that claims to be involved with various nefarious organizations including the "record industry". They don't really like to recognize us. They'd like to put a band like Wolfmother out there, but you see what happens when a band’s not ready! BANG!!! They implode from the weight of their own consciousness. Luckily we hold the title for the Rock n Roll Championship of the UNIVERSE, so we get to duck thru certain loopholes.

Bill: Has the addition of Voiden changed the sound of the group at all?

Valient Himself: A bit, I think we evolve every time, and it’s funny because our sound is always different, song to song, not just album to album... That's because we all bring our own parts to each song. These definitely sound tougher because Voiden plays a more metal guitar picking style.

Bill: If there is one specific thing that you want a fan to get out of listening to or seeing Valient Thorr, what is it?

Valient Himself: A boner.

Bill: Let’s pit Earth and Venus against each other in the ultimate showdown; which would come out on top and why?

Valient Himself: Earth, b/c Venusians are (were) trying to settle this planet and practice peace. The earthlings are the warlords. I don't think there are any Venusians left up there. If there were, they would’ve tried to contact us by now.

Bill: Any last words or parting thoughts?

Valient Himself: I have last words, but I don't wanna say them for a LOOOOONG time
Thanx,
Valient himself
Sent from my handheld space communicator device